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Joined: 2/9/2012 Posts: 427
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Getting started with ANY type of writing is scary. You have to embrace that you'll produce bad work for a while before you can improve and create stuff you're really proud of. As you get better, you're constantly playing catch-up with your dreams and aspiration.
The fear of not being good enough often stops writers in their tracks. They fear failure, rejection, you name it. Calling yourself a writer means wrestling with those fears--and placating your inner editor--on a daily basis.
What do you fear? And more importantly: what do/will you do to overcome it?
Nevena
BC Coordinator
--edited by Nevena Georgieva on 2/27/2014, 2:42 PM--
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Joined: 3/9/2014 Posts: 3
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The complexity of story, when married with plot, requires the author to write scenes which have aspect that are foreign. Like writing a political thriller which requires an understanding of things outside my realm of experience.
It took me a long time to learn the facts of writing. My initial pass will not be great.
I pause here to elaborate on my style. I write a few pages, then go back and read and edit/polish/rewrite. Then trundle off again until the time I go back and rinse and repeat. But I always start at the beginning. So a chapter I dash off that may take four, five, six hours will have a certain amount of polishing to some parts of the story.
Then I allow it to stew over night, or several days due to scheduled non-writing days.
I begin again with this chapter and spend a couple of hours reworking and polishing. Then I move to the next chapter.
But....and this is the BIG deal.....I MOVE FORWARD.
The best writing advice anyone can give is finish.
Now back to the regularly scheduled program.
Those areas where I am less sure before I type one word will be poor. But, and this is the secret, I still work on them. They always get better. Always.
I fear sentences where the characters are like stick figures.
John went to the safe. His hands dialed the turny-around thingy. He opened the safe. The money was there. He took it out and put it in a bag. Then he went to the restaurant and bought everyone ice cream.
Stick figures.
But they will be fixed.
I fear looking like an amateur.
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Joined: 10/15/2013 Posts: 78
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My biggest fear, and I suspect I'm not alone in this, is rejection. This is a bit funny considering the publishing industry is often rife with rejection; it's practically a way of life!
There is so much time and emotion invested into a completed WIP that I'm sensitive to those who judge it. Putting it up for public review on Book Country took some doing. Even letting a few strangers read it for feedback made me nervous. It's hard to see something you care so deeply about get critiqued. I have to really be intentional about not getting offended and seeing value in the feedback I get.
My worst fear is some agents will request a full and then reject the manuscript outright, and I'll get to the end of my "to query" list with no takers. To be quite frank, it just seems like an awful lot to pour into something for it to sit on a virtual shelf for the rest of it's life.
They're conquered for me in two ways, the first being a quote from Dory of Finding Nemo: "just keep swimming". Perseverance is key, a stubborn streak probably required. Keep remembering that writing is largely subjective and your responses aren't personal. The second is simply knowing that I've accomplished a little something. Sitting and putting 100,000 words to paper in a legible fashion is no small feat. Published or not, I'll always have that.
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Joined: 6/7/2013 Posts: 1356
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"The best writing advice anyone can give is finish." -@VietVetTX
Love that!!
And Dan, I've heard some stories like what you describe: querying and querying and querying and no one signing on with the MS. It's frustrating and time-consuming, but IMHO, it's not effort or time wasted. From what I know about you on Book Country, it seems to me like your tenacity and openness to feedback will be vital assets to you as you navigate this process. So yes, just keep swimming!!
Lucy
--edited by Lucy Silag - Book Country Community Manager on 3/13/2014, 9:32 AM--
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My biggest fear as a writer, in addition to sharing DCLabs's concerns, is the future of writing and reading in general. Basic knowledge of writing mechanics seems to be valued less and less as a skill academically, and when I see bad writers and badly written books becoming blockbuster hits while well-written books remain obscure, it's sometimes discouraging.
Also, self-publishing digitally makes it so much easier to get your work out there, but with so much competition, it's easy for new voices to get drowned out. As a shopper, I find it easier to come across works I've never heard of before and discover new authors by perusing shelves in bookstores and libraries. When I shop online, I have to already know what I'm looking for. This open-access also means agents will be much more selective, making it harder than ever to query - and as has been pointed out, you only get one shot at an agent.
*****
Unrelated to this is my fear of not even having the time to finish another book. I work two jobs (one full-time), write a blog, and obviously need and want to make time for family. I'm not a fast writer, and ideas don't always come to me when I'd like them to. The first draft of The Brotherhood of the Black Flag, including all the research I had to do, took five years, and that was two and a half years (and numerous revisions) ago. I don't want these other ideas to never get down on paper.
--edited by Ian Nathaniel Cohen on 3/13/2014, 12:04 PM--
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Joined: 9/17/2013 Posts: 104
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I’ve written short stories for a “literary” market. I’ve had
my share of rejections. Then with help from friends I found a niche that
would appreciate at least some of my stories.
I’ve had two collections issued by a small traditional publisher. I also write fiction and creative nonfiction
for local periodicals.
The short stories were supposed to be publishing credits and
platform builders for the first novel. The novel will be outside of my
niche. I’m afraid that when I write a novel, I’ll lose my old readers’ enthusiasm for
my writing, and I won’t find new readers to replace the old.
Will this be one step forward, and two steps back in
building a readership? In my small world
I’m considered a “writer.” I’m afraid that I’ll become “the guy who wrote some
stories and then screwed things up.”
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Joined: 8/21/2011 Posts: 394
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Although I'm not "new" to writing (I've been writing/editing professionally in the STM sphere for more years than I care to count), I suppose I am a novice with respect to fiction writing - although, that, too, I've been working on my trilogy also for more years than I care to count.
What do I fear? Rejection? Well, having already dipped into the querying realm (long before the work was ready - I know that now), I'm no stranger to rejection. Rejection is a part of life - has been a big part of my life in both my personal life and in my professional life (dealing with my second lay-off in five years from the world of corporate STM publishing - another re-org; another job loss).
What I fear is that my characters' stories will go unheard. I've written a trilogy's worth of Ben's and Zeph's tales, and I have enough notes and ideas for another book or two. I see them as old men. I see their children, their loves, their heartaches, their future failures and successes. And there are the other characters, too, in different worlds whose stories I've started to commit to "paper" but have yet to finish.
Twice now I've worked on e-only specialized content sets. And twice now, business decisions have led to the discontinuation of those products. When e-only products are discontinued, they disappear. No hard copies collect dust somewhere in a library or a bookstore. And they're forgotten. I don't want Ben and Zeph to disappear; to be forgotten.
I have no delusions of being the next blockbuster author or of having my books picked up by HBO and turned into an award-winning television series, but if I can entertain a handful of people, that would make me happy. If just a few people out there read my work and say, "Hey, I liked it!" that would me a lot to me.
But, ultimately, no matter what we fear as writers or would-be writers, we have to face those fears and carry on. After all, we can never know success (even a modicum of it), if we don't carry on.
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I have crap social skills.
I'm 55 years old. I've never been married, have no children, and I have barely ever dated.
I have few friends to speak of and ... is anybody out there read Portnoy's Complaint? There's a passage where the narrator talks about his parents talking about his peer group/generation and the friends of the parents, and the narrator writes this monologue about everybody having great-great grandchildren who are either doctors and lawyers or of their way to becoming doctors and lawyers.
There you go. My biggest fear. My crap social skills.....
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Joined: 6/14/2012 Posts: 194
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So...since the next part of the original question was "What will you do to overcome it?" that seems pertinent here. Have you considered getting professional help for social skills? It exists: there are people who can teach you, and give you practice in, improving them. Some people have sensory integration problems that make it difficult for them to catch on to others' behavior fast enough to respond in helpful ways. You might have something like that, but not know it. Lots of writers have deficiencies in social skills, but if it's severe enough to interfere with your writing (you don't understand human interactions enough to write believeable ones) then some counseling and social skills training might help. Our son, who's autistic, had (and still has) a very hard time with social skills, but he has learned. Autism isn't the only reason for problems with social skills, but it's the one I'm most familiar with, because of our son. Sensory integration problems can exist without autism, too. Human communication relies on the ability to integrate minute visual input (such as the movements of small muscles near the eyes), with complex auditory input, where tone of voice can completely change the meaning of words and signal a joke or a shift of emotion in the speaker. (I spent hours with our son showing him still pictures and pausing videos so he could learn what to notice in a face to "read" the expression. )
Anyway, if you feel--as you express--that lack of social skills is your biggest fear and a big problem in your life, then working on that sounds like a good idea. Help exists; there is more understanding now of how neurology affects social interactions, and how a person's ability to interact pleasantly can be improved. The work we and our son and others have put in on his have made his life much fuller and happier. I wish you the best of luck.
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Joined: 11/17/2011 Posts: 1016
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kj, I understand you very well. I am an extreme introvert, and I have had trouble interacting all my life. I can manage it for a time, but it wears me out. I begin to feel claustrophobic, besieged. I'm sixty seven. High school was a disaster for me, although part of the problem was a chaotic home life (alcoholism in the family). In my twenties I tried to fit in. Finally I came to terms with who I was, and what made me happy, art, books, and gardening, all solitary pursuits. I stopped worrying about being acceptably social.
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You can try to change yourself, or to moderate your behaviors and reactions, but, speaking from experience, I don't think it works. Concentrate on your interests, and if you're lucky, you may find the right person to pair with. It was only when I stopped caring what people thought of me and decided to be myself that I met my wonderful husband. He is also a book-lover. That was our first bond.
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Take heart from this: I met him when I was almost your age. If we had met twenty or thirty years earlier, he may not have gone for me. He is a stand-out in many, many ways. He had his pick of women, I'm quite sure. That I didn't find him until late, I count as a blessing.
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One last thought: You understand a certain psychology, you've lived it. Draw on it. Build a character from it. Make it work for you. That's what I do.
--edited by Mimi Speike on 7/6/2014, 11:27 PM--
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Joined: 5/7/2014 Posts: 2
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What I fear is that my writing is not worth being read. That I wasted my time writing my novel. How have I over come this feeling? I submitted my novel for publishing a few days ago.
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Joined: 11/17/2011 Posts: 1016
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Hi Gene,
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Is your book posted here for critiques? That's the first step. Get some feedback, from other writers. Welcome!
--edited by Mimi Speike on 7/9/2014, 9:03 PM--
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Joined: 7/18/2014 Posts: 121
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My biggest fear comes after typing Chapter One and seeing that blank screen in front of me, and knowing there are a couple of hundred or more pages to follow. I never know what's going to happen after the first several pages since I'm incapable of working from an outline. Each day is another First Day and they continue until the end of the story, which I also don't know until I get there. --edited by ChuckB on 8/8/2014, 12:16 AM--
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Joined: 6/14/2012 Posts: 194
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ChuckB: Don't think about how many more pages you have to write (I know, it's hard not to) just think "what can happen next?" Try to put the mechanics (chapter divisions, rules, etc.) out of your mind and follow your characters as they move through their story. Keep connected to the excitement with which you started the story. Ask yourself "And then what?" (and if there's no answer, you can deliberately throw things in to see if they work.) It's your story. Since you have an "explorer" attitude towards writing---as I do--you can do anything in first draft. Ask "What if a tree fell on the truck? " or "What if that mountain suddenly split open?" or "What if my character is 100% wrong about...anything." Ninety and nine ideas may not work, but one will, if you keep letting your imagination work for you. Imagination isn't involved with page counts or chapter counts...it's excited by what it doesn't know.
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Joined: 7/18/2014 Posts: 121
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Good points, Elizabeth. I plant myself in my chair and read my previous chapter. Most are only a few pages since I usually write each scene as an individual chapter, two, three or four pages. Most of the time before I'm done I've got something in mind. If I haven't got a firm idea, I send my characters to a restaurant for breakfast/lunch/dinner and let them talk. That always shakes loose something.
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